Archive for category Reviews
The Escape Plan
Well, it’s official: I don’t have anything to add to this one. Granted, I have blustered my way through a few reviews in my day with nothing to really say about a comic, but I thought I’d try to be up front about that fact this time around. This comic is about… hm. See, there’s this guy… nope, for all I know it’s possible that it’s a lady. OK, there’s this character who starts off with two giant pupils in their eyeballs. After a shake of the head and a heavy blink, this character only has one giant pupil. This pupil moves from side to side as the character shakes their head and/or blinks heavily. And then… well, that’s the gist of the comic right there. I hate to do this because this is undoubtedly going to come across like me not liking the comic, which could not be further from the truth. I was absolutely riveted for the minute or so that it took me to read this (it’s wordless), and what else could you ask for out of a comic? If you’re looking for an utterly unique experience, this one certainly fits the bill. $1
Who out there went to camp when they were a kid? If so, you may get some a serious blast of nostalgia from reading this. I went to a couple, but nothing that was an much fun as this one looks, and that’s even with the awkward social interactions. I’m mostly basing that on the abseiling (basically repelling yourself on a rope from a tall structure, although I think I’m thinking of a word other than “repelling.” Whatever the word is for “bounce down a wall like Batman did in the old tv show while holding a rope, which is also being held by an adult to prevent injuries”) and the construction of shelters. Anyway, that wasn’t the theme of the comic, that was just a taste of the nostalgic blast I got from it. This is about a young boy (of around 8 maybe?) being dropped off at camp and not really knowing anybody. There’s an embarrassing moment when he doesn’t know the slang being used for going to the bathroom, a moment of pure panic before he starts abseiling, being falsely accused of wrecking the structure of some other kids, and coming across the instructions for condoms in the woods. But lest you think that this was all about camp drama, I should point out that Robert was much more interested in showing the camp experience itself, and he does a fantastic job of laying that out, all the way down to the look on his face as he gets in the car to go home. His introduction was also damned entertaining, as he detailed the very few reasons why somebody would get their hands on a copy of his book, and I’m just going to flat out copy and paste his explanation for why he hasn’t been too productive with making more comics over the last five years: “…intent is frequently nullified by a toxic compound of doubt and indolence.” Yep, that nailed procrastination for sure. There are two more issues of this to review so I’m curious to see where it goes from here, but this issue was thoroughly entertaining.
When We Were Kids
I wonder sometimes how many stories from artists I really like are scattered around in anthologies that are long out of print, never again to see the light of day. Granted, I’m wondering this because the three stories in this book are from the Irene series, which are all (as of now) still in print. And sure, lots of people eventually put these “lost” stories into a collection of some kind. But when I think about the mid 90’s, back when I was getting started on good comics instead of Marvel crap, all kinds of those mini comics artists would put stories into anthologies for friends, often with print run in the dozens. Anyway, tying this back into the comic, this walk down memory lane was inspired by the theme of this book. Which, as you may have guessed from that title, deals with stories (real or imagined) from childhood. Andy picks three big moments here, and they’re moments that might not seem like that big of deal while they were happening. The first story is about a young man and woman who take acid and hike up a dune. The guy has never done it before while the lady has, and the story is delightfully thin on the stereotypically “trippy” visuals that often mar stories like this. No, more often than not these kinds of experiences are all about the conversations, and the revelations that come out of them. The second story deals with two young brothers who are trying to adapt to a new stepfather, and the moment we see here is set before a snowmobile race, after all kinds of beers are drank all around. The final story is between two girls who are on different paths after graduating high school, with one of them leaving and the other sticking around. This isn’t written as an ending for the two of them, but you can see the hints of it in the pauses and quiet moments. It’s a damn fine comic book, and I’m glad that all of these stories are gathered together here, even if what I’ve seen of Irene has been pretty great too. $5
Chandler, Richy; Dare, Francesca; Inko; Kutsuwada, Chie; Liew, Zarina; Sarson, Jade – Rosie and Jacinda: Demon Cloud
Rosie and Jacinda: Demon Cloud
Can I be cranky curmudgeon reviewer guy for a minute? Why am I asking, I can’t hear anything that you’re saying. I just wanted to establish the fact that I have a complaint that isn’t entirely fair or relevant, but it bugs me nonetheless: if you’re going to have a continuing series, please either number all of them or give them all a distinct title. Preferably the numbering, as it feels like I missed an issue before this one, but either way works. Granted, at least part of this is because of the labeling system that I use here, which is not a problem that many other humans have. Now that I have that ridiculous digression out of the way, how about that comic? This time around Rosie decides to tell Jacinda her true nature, the true identity of a teacher at school is revealed, and there’s a nice swerve involving _____ at the end that I did not see coming. Oh, and there’s a demon on the loose, and he’s hunting for someone. All this and the usual high school drama, where the leader of the cool girls clique finds somebody “worthy” to be with her, and where Rosie’s story is overheard, which leads to all sorts of issues for her at school. This time around the art chores have been divided among a few new people, and it’s a testament of the skills of the whole bunch of them that nothing jarred me out of the story. Richy is building a world bit by bit and I’m intrigued to see where he goes from here. He certainly set it up so that it can go in a number of ways, and this issue went a long way to fleshing out the characters of just about everybody. Well, except for maybe the potential love interest of Jacinda, who got short shrift this time around, but he wasn’t a relevant part of the story for this issue. The next issue might be an entirely different story. It’s a really solid issue and well worth checking out, unless you hate all stories involving high schools. Even if that’s the case there’s something to love in here for damned near everyone. Once again I’m going to guess on the price and, inflation being what it is, this time I’m guessing $8 (it is quite a large comic).
Now that was one viscerally creepy comic. It takes a lot to get my skin to crawl after being desensitized over the years by horror movies and video games. but this thing grossed me out. I mean that in the best possible sense, of course. So! This one is all about a Scumbag who was born to two other Scumbags, but they didn’t want him so they left him in a dumpster. You can’t see the entire glorious picture from that cover, but this creature was also born wearing tighty whitey underwear. Anyway, he was taken in by “a pack of wild uncles,” and we’re treated to one of said uncles nursing the Scumbag. They all lived a happy life together until one day our hero felt a sharp pain in his stomach and was astonished to see a tiny Scumbag pop out of his stomach, fully formed. This then started happening every day, and the rest of the comic deals with his attempts to keep his offspring alive against a variety of enemies/nature. And then there’s the babysitter that will haunt your soul. It’s a thoroughly entertaining story, and a good peek into where Scumbags might come from. It does make a certain kind of sense that they would enter this world fully formed, that’s for sure…
Ask A Cat
This is one of those cases where your tolerance level for the subject matter is going to be key to your enjoyment. I have a cat and she means the world to me, so I’m much more tolerant of most forms of cat humor than people who don’t have cats (probably). So the idea of a fictional cat answering fictional (?) letters had me intrigued from the start, and Charles also nailed it with the execution. This is a collection of single page answers to these questions, and subjects include whether or not humans landed on the moon, what should they do with a drunken sailor, what are their favorite places to puke around the house (I loved how they had an intricate process in place to determine the best places to puke to maximize the chances of their human stepping/sitting in it before seeing it), how to properly pet a cat, what they see when they appear to be staring off into space, why they’re so obsessed with that little red dot from laser pointers, what is the deal with those strange seasonal trees that are brought into the house, and where do cats go when they die. A solid chunk of these made me laugh out loud, which is always the goal for funny books like this, and a few of them might have even incidentally made me understand cats a bit better. So yeah, I’d say that this book is worth checking out. Unless you’re hopelessly cynical, and even if that’s the case this might make you thaw out a little and see a little bit of joy in the world. $2
It’s always a good sign when my main complaint about an artist is that their comics are too short/come out too infrequently, as it’s clear that I just want to see more of their stuff. That problem is taken care of in this masterpiece, as it’s gigantic. And yeah, I did just call it a masterpiece. This comic is damned near perfect while still telling an epic story, often without using words. Shall I try to sum this up? It’s a hopeless task, but I’ll at least mention some highlights. If you’ve never heard of Zombre, you might want to at least look through some old reviews (or, better yet, read previous issues in this series, although it’s not required to enjoy this one). Basically Zombre is one of the more harmless representations of a zombie that I’ve seen, as he is basically a friend to small woodland creatures and doesn’t seem interested in hurting anybody. This time around, as Ansis has room to wander, we start off with a small hungry dog who’s having a tough time of it. This dog has been separated from his human, but he detects a scent and sets off in pursuit. As his human is a forest ranger (not that the dog knows this yet), this leads the dog through some dangerous woodland territory, until he is eventually saved by Zombre in one of the more cute and heroic acts that I’ve seen. From there we check in with the ranger, learn how he became a ranger, see his co-workers, and meet a horrific actual zombie from the forest. This zombie is also wrapped up with some creepy bugs that have a disturbing tendency to form into one giant bug or dog, and things get intense from there. But! Some comics like this just veer into weirdness and stay there, content to leave things as ambiguous as possible. This issue of Zombre, on the other hand, wraps everything up fairly neatly, while also still leaving some mystery and plenty of other questions to be explored. It’s my favorite issue of the series, and I was delighted to see (in the note that Ansis sent along with the comic) that he’s drawing for 3-4 hours a day. The man deserves to be rich and famous, and I absolutely believe that if I’m reviewing #6 a year from now, he’ll be well on his way. Not that the act of my reviewing his comics has anything to do with it; I’m talking about the places he can go if he sticks to the comics and keeps up a consistent schedule. The only possible complaint I could see anybody having is that this issue is $20 but, like I said, it’s gigantic, and it’s that rare occasion where a $20 comic is worth every penny. Buy it and enjoy, you will absolutely not be disappointed. $20
Lucy the Octopus #3: Any Less The Freak
OK, any lingering doubts I may have had about this series are now officially over. Is it OK to call this a series if these books are collections of webcomics? Eh, we’ll leave it to the historians. Who will probably be entirely online, and will have no idea that these books even existed. Assuming that civilization survives long enough to have historians, that is. Wow, have I gone off on a tangent. This is the third volume of this series, and Richy has smoothed out whatever bumps may have existed in the early days and put together a compelling collection of characters. He’s even managed to put together some fairly compelling pets of these characters, which is no small feat. Putting the cast of the characters on the first page was an essential step, as they are all basically blobby sea creatures. Stories in here include Lucy (in disguise) and her ongoing attempts to stay in a popular band (and not get her identity discovered), the life of the new girl who lost all her cool after hanging out with Lucy in past strips, the ongoing attempts of large chunks of Lucy’s family and friends to mess with her in various ways, and a few brief glimpses by the popular kids into what it must be like to be Lucy. The bulk of the issue is taken up by a field trip, that giant monster on the front cover and Lucy and a popular kid getting separated from the group and meeting up with a new bunch of underwater creatures. Who see Lucy as the cool one, much to the chagrin of the “actual” popular kid who’s stuck with Lucy. There’s some nice character development all around this time, and all while Richy still keeps this safely in the “kid friendly” zone. This is what “all ages” entertainment should always be: full of lessons and laughs for the kids, with more than enough of the same for adults. And all without seeming cloying or overbearing. It can be a tough line to walk, but Richy seems to have it nailed.
The Palace of Ashes
Quick, without using the internet, answer this question: can you be buried in San Francisco when you die? Not that it’s something I’ve ever thought about, as I’ve never been there, but it must have crossed the minds of at least a few people reading this, unless you’re still young enough to think you’re immortal. It turns out that you can’t, and that has been true for a very long time. Who knew? Andy uses this comic to relate the history of that decision and what happened after. In 1902 burials were banned because they were running out of space for the living, and they finally got around to digging up the bodies in the 20’s. It gets even more grim, as they smashed most of the tombstones and used the bits to fill in walls and gutters. One building was eventually designated as a place to hold cremated remains, and was promptly basically forgotten until the early 80’s. The rest of the comic deals with the building finally being rediscovered and the quest of one man to return it to its former glory. I love the modern touches of the urns compared to the older ones (and the container that the main repairman is going to eventually use for his ashes is brilliant) and had no idea that this was even an issue. It makes sense, but the thought never even crossed my mind. This is a genuinely informative comic with some serious heart, and it’s well worth a look if you’re interested in San Francisco, society forgetting about the dead or mortality in general. $3
My Life in Records #3
I’ll say this right off the bat to save some suspense: this comic probably has the most realistic depiction of playing with toys that I’ve ever seen. Not just the simple act of playing with them, which is easy enough to show, but the ways that the experience changes when he plays with his brother, how the music from the “Star Wars” soundtrack enhanced the experience, and even how his brother making sound effect noises added on top of it all combined to form a completely immersive experience. If you grew up playing with toys it’s hard not to get more than a little bit nostalgic for the simplicity of it all, and the magic that was required to make it all work. Do kids today play with toys or is it mostly computers and handheld games? If that’s what they mostly use, they’re missing out. Anyway, the rest of the comic deals with Grant’s grandparents and the way that his grandfather had an amazing video/audio system at home, taping movies off TV so that the kids could watch. Well, when I say movies I mean “The Empire Strikes Back” specifically and, again, it’s hard to appreciate what an amazing experience that was back in the day when you could think of almost any movie right now and be watching it within five minutes. Crikey, this is getting far more nostalgic than I intended. Grant also deals with the time that his gerbil got lost after they left it playing in their Ewok village, and how they were so excited to watch “Return of the Jedi” that they took a wrong turn and ended up getting slightly lost going to their grandparents. I should also add that there was a great finale to that story (with the reaction of the grandfather being priceless), but I won’t ruin it for you here. It’s another solid issue in the series, and it looks absolutely gorgeous. This is a little pricier than past issues at $7.50, but it’s full color and worth it.
My favorite Sam Henderson is filthy Sam Henderson, and he’s fully back in that mode with this issue. The last thing I read of his was an all-ages collection of strips, which was still great, but severely lacking in the number of “fucks” thrown around. And, as the man has proven countless times in his 20+ years of making comics, he has no trouble putting out a thoroughly hilarious comic. Which, as always, is problematic to review, as there’s only so many times I can say that this part or that part was comedy gold. If you’re new to comics and just now hearing his name, there’s a wealth of older material out there from the man that I’d highly recommend if you enjoy laughing. If you’re already a fan, then you should know that the strips in here include some very modern pickup lines, the return of Dirty Danny, easy ways to ruin a joke, an update of his classic strip about LSD with him using his modern sensibilities, how the older cast was always better on SNL (told from a perspective 700,000 years in the future), new shows coming this fall, and Nancy and her exploding head. Scattered around the comic are his usual single panel gag strips, and nobody does them better. Still, the highlight of the comic was the story on high school urban sex legends and the descent of that story into complete madness. The image of that guy slipping on the condom, rolling down the stairs and eventually turning into a giant rolling ball of snow had me practically crying, which is as high a mark as a funny book can achieve. Anyway, there probably wasn’t much doubt from anybody who has read this site for any length of time that I was going to highly recommend it, so no surprises there, but come on, who doesn’t like to laugh? Buy this and laugh! $4.99
Monkey Squad One Annual #2
If you’re reading this, chances are pretty good that you started off reading terrible superhero comics when you were a kid. Or maybe you were lucky/smart enough to only read the good stuff forever, I don’t know. But let’s say that you read the superhero stuff and thought it was awesome, mostly because you were a child. When I was a kid there was also a yearly issue called an Annual, and these generally fell into one of three categories: either a standalone story that was too big for a regular comic, a part of a much larger crossover event, or a glorified filler issue (meaning a meandering story with pinups and/or character bios to pad out the page count). As much as I’ve been loving this series lately, this issue sadly falls into the latter category. Mostly! This requires an explanation. The point of this issue in theory is to fill in the holes of other recent issues. What happened between certain panels, why one character showed up covered in feces, a few more possible alternative universes that were cut because he ran out of space, etc. And it’s a good theory, as Doug has done an excellent job of building a universe for himself that has plenty of room for such digressions. But stuffing them all into one issue like this makes the whole thing feel scattered, and the concept itself makes that impossible to avoid. If and when he puts out a complete edition of this comic, I’d highly recommend slotting these stories in where they’re supposed to fit instead of putting them all together like this, but I am very much not the boss of him. There are also 8 pretty solid pinup pages, with my only problem being the cardinal sin of so many pinup pages: not putting the names of the artists on each page. Sure, they’re all in the front, but many people are too lazy to go back and check such a thing. So overall, if you have an encyclopedic knowledge of this series, I’d still recommend this as is. If not, maybe wait for the collected edition, if that ever happens? Either way, #13 (of the regular series) starts off a six part story, so I’d recommend that as more of a place to get started on this series if you haven’t already.
Last year I wrote a review for the sample chapter of this book, and my only complaint was that it wasn’t longer. And yes, I did acknowledge that that was a stupid complaint to have for a sample chapter. This time around the whole book is here, and it is exactly as fantastic as I had figured. That’s right, at this point I just automatically assume that any comic of Liz’s is going to be fantastic. A high standard to live up, but she hasn’t had any trouble with it yet. This one starts out at the beginning, with Liz in the middle of a crying fit because she was told to try on a dress when she was 4. As she points out, she wasn’t big on throwing fits back in those days… unless she was told to do/try something girlie. From there we get the story of her life, of her trying to fit in while also not fully understanding why she should have to try, of her learning that lots of boys who you think are your friends are actually trying to date you, and of the almost casual bullying that would be a part of her daily life for the vast majority of her time in school. But she also met more than a few great people along the way, people who could steer her in the right direction and make her understand that there wasn’t a thing wrong with her. I do wonder how Liz would have turned out if she hadn’t met the older lady who put out a regular zine, as that was how she got her “training” in comics, but it sure seems like she was set up to be awesome from a very early age. If you’re a lady who had issues like these growing up, I have to imagine that this is going to bring back some serious memories. If you’re just a regular old former (and, let’s be honest, current) misfit like me who never quite fit in any particular clique growing up, you’re still going to see lots to remind you of school days. And I have to admit that the way she got out of wearing dresses to mass was genius. My trick was a clip-on tie (strictly forbidden) for mass day, then lying brazenly about it whenever I was called out by a teacher. Good thing none of them ever gave it a tug. Hey look, there’s me reminiscing about high school days! See, I told you this book would bring up some old memories. It’s a damned fine book, and even the epilogue was a thing of beauty. Read it and enjoy, unless you were the magical person who was completely fine with every aspect of your growing up. I doubt that such people even exist. $15.99
There are two main groups of people who know about Andre the Giant: the ones who knew him from wrestling, and the ones who knew him from The Princess Bride. There’s some overlap, granted, but if you’ve heard of him today, it’s probably through one of those things. If you somehow don’t know him, or only know him through images, the man lived quite a life, and Box Brown does a hell of a job telling that story. The basics of Andre is that, at his largest point, he was 7’4″ and over 500 pounds. His disease led to him eventually shrinking as he had to hunch to keep up with various body parts and joints failing, but there’s no getting around the fact that he was a giant man. Full disclosure here: I was a wrestling fan back in the Wrestlemania III days, and recently uncovered an old program book of mine from Wrestlemania IV (I went to see it at a theater in Chicago, not the actual event). There was a championship tournament set up for IV and the program had a section where you could fill in your guesses for how it would go. Andre, to my mind as a child, was clearly going to go through all four rounds and win the championship. In reality the poor guy could barely move at that point and he got counted out (along with Hulk Hogan) in his first round match. That’s throwing the timeline off of this review a bit, but figured I should throw it out there somewhere. Anyway, this book tells brief snippets of his childhood (including how he had to stop riding the bus at 12 because it would no longer fit him) and how he basically stumbled into wrestling as an adult. He was a natural, and I had no idea that he was as agile as he was back in the day. He could do leapfrogs and dropkicks, two moves that require the wrestler to get completely off their feet. He was later told to stop doing all that high flying stuff and move as little as possible to appear even more intimidating, but man do I wish I could have seen Andre the frickin’ Giant dropkick somebody. The bulk of the book recounts various incidents on the road and at wrestling shows, and Box makes it very plain in the intro that wrestlers are notorious for embellishing their stories, but he did all he could to get to the truth of everything. The big highlights are the preparation for his big Wrestlemania III match and a detailed retelling of the match itself and his time working on The Princess Bride. I had never heard the real story behind the last couple of years of his life, and had no idea that he was still wrestling in Japan basically right up until the end of his life. It’s cliche to call somebody like Andre a “gentle giant,” and he more or less was, but it’s also clear that there was only a certain amount of shit that he was willing to take. At least that was the case in bars; the casual cruelty of way too many humans was just something he had to live with. If you’re curious about the man, this is the book for you. Ever wonder how he was able to use an airplane bathroom? How people would move him if he ever got drunk enough to pass out (and good lord could the man drink)? How they were able to perform surgery on somebody that size? Every bit of that is in here. I can’t recommend this enough, both as a biography of one of the most fascinating man who ever lived and as a graphic novel. Box has really outdone himself here, and his obvious passion for the subject is delightful. Read this and enjoy! $17.99
Bear, Bird and Stag Were Arguing in the Forest (And Other Stories)
There are a fair amount of fables adapted as comics out there in the world, correct? It seems like there are, but I’m drawing a blank now that I’m trying to come up with them. I’d say that I’m losing my memory as I get older, but I’ve always had a crap memory. Anyway! If that isn’t a thing that happens all the time, the fables being adapted into comics, then it should. The first story in this bunch (and the title of the comic) is either a fable or a story that should have been a fable, and it deals with those three animals trying to figure out which one of them should rule the forest. They go to the forest witch to have the matter decided, and the witch tells them to each bring her a royal item to help them decide. I won’t ruin anything here, but those items are both more and less important to the deciding process than the animals were led to believe. Yes, it is possible to be both. But wait, there’s more! Other stories include a spirit being woven into various items to help protect a baby (and eventually a child), the soul being expelled in little bits all the time and what eventually becomes of it, and what happens to eyeballs after you go to sleep. Or possibly just after Madeleine goes to sleep, or possibly it’s just a story and not meant to be taken literally. I prefer to take it literally for the mental images alone, and I will not tell you what they are because you haven’t read the story. Yet! Because you really should. This is a solid collection of stories, each of which will stay with you long after you finish the book. Hard to think of better praise for stories than that. $6
Death in Oaxaca
Since it’s right there in the title, I’d better get something out of the way up front: nobody dies in this issue. Spoiler alert! Ah, it’s always funny to put that alert in after I spoil something. Yep, that’s my resolution this year: instead of not spoiling anything, I’m going to spoil everything! Or not, I haven’t decided yet. Either way that’s not a giant spoiler for this issue, as that “#1″ next to the title sure implies that there’s more of this story to come. This series is all about a family who moves to Oaxaca to immerse themselves in the local culture and landmarks. It doesn’t hurt that it also seems to be cheap as hell to live there, and the man in the family is an artist who does freelance work to make some cash. Anyway, the bulk of this issue sets up the family as distinct people: the dad (Rex) is afraid of his own mortality and has an interesting visitor pop up regularly in his dreams, and the mom (Gertie) has a secret life on the side to keep things interesting on her end. The logistics of her secret life intrigue me, and I assume that some sort of “origin story” is going to be coming along shortly. Of course, there’s always the possibility that this will another in the endless series of first issues that never have second issues, but I’m choosing to live in hope. Oh, and there’s also something seriously wrong with their new landlord, but I’m not going to spoil that. Huh, so much for that New Year’s resolution. It’s an intriguing comic and it’s good to see Steve Lafler making comics after his Bughouse days. Granted, it’s likely that he’s been making comics this whole time and I just haven’t seen them, but either way it’s new to me. $4.99
I reviewed Get Over It by Corinne Mucha just a couple of weeks ago, and if I ran the world these two books would be sold as a set. Corinne’s book goes point by point through an excruciating breakup, her denial after the fact and multiple aborted attempts to get back together. Alone Forever, on the other hand, is all about Liz living the single life, crushing on guys here and there but basically being OK with being single. Mostly. It’s complicated. These are strips taken from her website, so there isn’t a straight storyline (although it’s not like it’s difficult to follow), but the theme remains the same. Liz hangs out with friends, goes to see bands, crushes on various guys (with beards; that seems to be a requirement), has ill-advised attempts to go out with wingmen, notices that she seems to be wearing the same clothes as most of her crushes, and details a series of OKCupid dates that mostly go horribly wrong. OK, they all go horribly wrong in one way or another, but that doesn’t seem to be an odd result from using that site. I’m in serious danger of just spilling all of the beans on all of the various strips, but I have to mention that I love how her cats will not let her wallow in self-pity. My cat is a notorious asshole (to other humans and only occasionally to me), but she will not stand for any sort of crying either. See, all you monsters who hate cats? Dogs love you all the time, while cats love you the most when you really need it. She also included fake Valentine’s Day candy messages on the inside covers, and you should really take a few minutes to read them. This is a pretty damned great collection of strips, and I can’t recommend it enough for any other single people out there. Couples, butt out. You’re happy enough already. $9.95
It’s a sad fact of my upbringing, but whenever I read a book like this I can’t help wishing that overly religious people were forced to read it. Not for punishment, but because I think it would help them understand humanity a bit more. Not that this book aspires to anything so lofty as all that, and you can tell the theme right from the title. These are the adventures in cruising from Brontez, told in full (and often hilarious) detail, and he has no interest in worrying about the delicate sensibilities of anybody. Which is great, as this book would have been ridiculous if it was censored. He writes a story of whatever happened on one side, and Janelle Hessig illustrates them on the other. The image of his drunken face, covered in cum and heading back out to a wedding, was my favorite, but there are lots to choose from. Subjects of these stories (and he’s nice enough to include a map of these encounters in the front) include his finally hooking up at a punk bar, getting fucked by Santa, the reality of a job working in a bathhouse, the family guy with all the warts on his dick, the straight guy and his trouble with condoms, all of the shit that guys with big dicks think they can get away with, getting fucked by a ghost, the homeless guy (and how it was bad to discriminate), the locker room guy, and fisting while on shrooms. And more, but I should leave some surprises for you. If you’re prone to fainting spells and fits of nervousness then maybe you shouldn’t read this, but for everybody else this book had me laughing plenty, those illustrations by Janelle made great stories even better and I even learned a few new terms which, considering all the gay friends I’ve had over the years, I didn’t think was even possible. Buy it and enjoy, is what I’m trying to tell you. $10
If there’s one thing that has remained the same over my years of writing about comics, it’s my absolute abhorrence for spoilers of any kind. And yet, for the 8 stories in this volume, all I want more than anything is to talk about the endings and how brilliant each and every one of them is. I won’t, of course, but man is it tempting. The stories in here involve the circumstances behind the disappearance of a young woman, a man who wakes up one to discover that he is missing a head but somehow still living (and what he does about it), a man who is the only one to see plumes of smoke rising up from over the hills, the death of a solitary man and the life of a creature who remains in that house, the focus group tested message going out from a shady military group, the rules of hell and “living” in it on a day to day basis, a man with the remarkable gift to transform anything he sees into anything he wants and what he does with it, and Death itself giving an interview to promote an autobiography. Summarizing these stories like this may make them seem simple, and that is the furthest thing from the truth. There are layers to each of them, and good luck reading this without having at least a few of them stuck firmly in your mind, waiting to pop back into your consciousness. The art is perfectly suited to the writing and, even though I didn’t know about these two before reading this book, I really hope there’s more out there from them, as this book is absolutely captivating. And for only $12.99, it’s even a bit of a deal. For whatever it’s worth, this is one of my favorite books of the year. Buy it for yourself and see if I am correct! $12.99
Mimi and the Wolves Act I
All of these years reading comics and I think my favorite thing about them is still having my expectations utterly subverted. This one briefly shows all the characters before the action gets started, and most of them look cute or possibly even a little wacky. But, as you may have guessed, that’s not the direction this one ended up in at all. Things start off with a slow build, as we see a mysterious figure in the forest before finally meeting our heroine (Mimi) and her mate (Bobo). We see them going about the daily lives, happy as can be, before they go to bed for the night. Mimi has been having dreams her entire life, and they make her profoundly uncomfortable to think about, apparently because they involve some horrific creatures/images and seem to end with her quite enjoying something sexual (it’s all still a little vague). Mimi arranges to have a lucid dream so she can confront the woman she keeps seeing in this dream, and that conversation leads to her hanging up icons around the forest. These icons bring the attention of the wolves that are mentioned on the cover, and their intentions seem good, but it’s probably too early to say for sure. The rest of the comic deals with stuff I shouldn’t be talking about, so I won’t. See how easy that was? It’s a solid start to a series that I am very much looking forward to. The art is tremendous and evocative, the writing fits the images perfectly, and it was a blast to read. So maybe you should too! $12