This is the perfect comic. It’s the size of a regular comic, and the story is about hamsters running indie record labels and chickens controlling electronic music. Combine that with text pieces here and there such as “Dear Intergalactic Bounty Hunter” and “You Like Huey Lewis, Admit it!”, and you have the best comic in the world. Or maybe some of his earlier ones are better, I don’t know, I haven’t seen them yet. Back issues of this are the first thing I’m getting when I have a new address though, I’ll tell you that. Give him all your money!
Box 440422 Somerville, MA 02144-0006
Or maybe e-mail him first to see what he has around. According to this, #1-5 are available for $2 each, but this was done a few years ago: email@example.com
The Comics Interpreter #5
Reviews, interviews (Brian Ralph, Jef Czekaj and the Bipolar Twins), essays, and what appears to be a genuine love for the medium. How can you go wrong?
Wolfgang, Kurt (editor) – Lowjinx #2: Understanding the Horrible Truth About Reinventing Mini Comics
Lowjinx #2: Understanding the Horrible Truth About Reinventing Mini Comics
If this was a perfect world, anybody who bought any mini comic ever would get a free copy if this book with their purchase. Yes, it’s that good. There’s one page that doesn’t do much for the book, but it doesn’t do much to take away from it either. Everything else is golden. I didn’t know much about Kurt Wolfgang before I saw this book (he’s the editor and contributed two pieces, “What the Fuck is a Mini Comic” and “My ‘Career’ in Comics”) and I still don’t really, but reading his pieces did inspire me to go to his website and order some of his other stuff. The new issue of Lowjinx is out and it has everybody who is anybody in it. If you’re wondering about the wisdom of making a comic about comics, well, he addresses that in the intro, so worry no more. The comic basically makes fun of Scott McCloud and James Kochalka and talks about trying to be taken seriously around your family and friends while drawing comics for a living. Jef Czekaj apes the Kochalka drawing style in his piece and pretty much nails the guy. Throw in Sam Henderson, Tony Consiglio , Dave Kiersh and Johnny Ryan and you have yourself a hell of a book. I can’t wait for #3 to get here…
Well, the book I’ve been holding my breath for since I heard about it in the planning stages is finally here. All the best small press people, all in one book! All Bizarro stories, all the time! Little seen talents finally getting a chance to shine on the big stage! And the end result is… mixed.
Oh, don’t get me wrong, there are moments in here that make it worthwhile, enough so that I can recommend getting it. You could probably wait for the softcover to come out and save $10 or so, because there’s nothing in here that couldn’t wait a few months. If you don’t know the concept, DC apparently decided to give all these “no name” people a chance. If anybody knows the complete story behind this book, let me know. I’m curious as hell to see how this got organized. And whose decision was it to put pairings on all of the stories instead of just letting one person shine? Granted, some of the pairings boggle the mind: Dylan Horrocks and Jessica Abel, James Kochalka (writing and not drawing!) and Dylan Horrocks, Jef Czekaj and Brian Ralph, Eddie Campbell and Hunt Emerson, Ivan Brunetti and Evan Dorkin, Evan Dorkin and Steven Weissman… it’s a hell of a list, don’t get me wrong. But most of these guys spend their time doing their own thing and I think it would have flowed a lot better if they had been allowed to do that here. Granted, you would have to bring in a color guy for most of these people that have never used it, but they do everything else themselves.
The story (such as it is) is this: a creature called A comes to Mxyzptlk’s world to try and take over. He challenges M to a best-of-seven of games, but M is disqualified and has to choose a champion. Remembering his past problems, he chooses Superman but can’t find an appropriate alternate universe substitute after the original one doesn’t believe him, and accidentally chooses Bizarro. Make sense? It doesn’t matter. Bizarro decides to win the contest by drawing a bunch of stories, and these stories are all the ones by the small press folks.Â When it goes back to the “story”, these comics are promptly forgotten about and the challenges begin, but not before they get an insult or two off about the quality of the comics. Which, I’m sure, is just an insult in the story directed at Bizarro and not the creators, but it’s pretty easy to take it the wrong way. The main story takes up about 60 pages of a 236 page book, which wouldn’t be that bad if it didn’t mostly suck. It has a few moments, but the thought that this story was expanded upon at the expense of some of these extremely talented guys doesn’t make sense at all to me.
Flipping through this again to write this, I see that I enjoyed almost all of the shorts in this. I didn’t really like Wonder Girl vs. Wonder Tot, Help! Superman!!, Batman, and The Most Bizarre Bizarro of All! Compare that to the 23 other stories that I liked a lot, and it looks like they have a winner here. The Bat-man (by Chip Kidd and Tony Millionaire and strangely, the only black and white story in the book) is brilliant. Old school classic Batman here, and he’s ugly as hell. Hawkman (James K. and Dylan Horrocks), while not drawn by James, has the same feel that I’ve come to know and love from all his work. Kamandi (Nick Bertozzi and Tom Hart) takes the cake for me as the best story in the book, but I’m hopelessly biased because Tom Hart drew it. That’s Really Super, Superman (Ivan Brunetti and Evan Dorkin) is a close second, and First Contact (Mark Crilley and Andi Watson), about the Atom, is up there too.
I was expecting a hell of a lot from this book, and I’m not sure that I got it. What I did get, however, is a thoroughly entertaining look at a lot of DC universe told through the eyes of some of the most talented people working in comics today. If I cared at all about the characters this probably would have been a great book, or maybe if they had allowed them to work by themselves, or maybe if DC had given them a little more room (and a lot more people. The names excluded here are too numerous to mention, although I am surprised and gratified by some of the selections) to the creators. All in all, if you like even half the people in this book, get it. If you like Evan Dorkin, Sam Henderson or Dylan Horrocks, they’re all in here a few times writing and drawing but not, as I’ve made pretty clear by now, doing both things at once. The Matt Groening cover makes the book, too. And yes, I did see the Dan Clowes cover in The Comics Journal and I thought it was great, but I think this is a better cover for the tone of the book.