I’m probably going to be rambling about this for awhile, so strap in, but there are only two facts to consider in whether or not you want to give this a shot. 1. Take a look at that list of tags under the review. If you can look at that list of names and not want to buy this immediately, the only other thing I have to say is 2. It’s only $8. And it’s roughly 150 pages. So now that you’ve placed your order with Spit and a Half, what exactly do you have to look forward to? Well, I should have been more honest about one thing before you placed your order: this one is occasionally rough to get through, especially if you have older pets that are noticeably slowing down. Like, for example, me, with a 19 and a half year old cat who mostly sleeps these days and is losing her most adorable habits one by one. Don’t get me started, I’m perfectly content here in the land of denial. So are you in for a giant comic full of stories of pets dying? No, nothing so grim as all that. There are all sorts of types of pet stories in here. There’s Ben Snakepit with the heartwrenching tale of Buster (who died trying to get back to his house after his family had to give the dog up), Mark Campos with his cat’s reaction when she finally got the freedom she seemed to want, Cara Bean’s story of a dog that was found in the wilderness and how it became a constant traveling companion, MariNaomi and the angriest chameleon I’ve ever heard of, Ayun Halliday and the snake who was born again, Andrew Goldfarb and the guinea pig who could keep time to his music, Jenny Gonzalez-Blitz and how her rats eventually got along with her boyfriend’s cats, and T. Motley with his recollection of what mice sound like when they’re utterly defeated by a cat and sobbing. And that’s not even the first half of the book, which leaves you plenty of surprises. It really is impressive how is covers so much ground. Some of these people were indifferent to pets and eventually warmed up to them, some stayed indifferent, some used pets as a jumping off point for the larger story they wanted to tell, or told the story of their first pets. And, of course, there were the people who told the stories of how their pets died. That was the part where I had to take a few breaks while reading this to pet my cat, because sure, I can see the writing on the wall there, but she’s still here now, and I intend to enjoy that right up to the point where she’s no longer enjoying life. Now if only there was a manual of some sort to tell me exactly when that was… Anyway! It’s not about me or my great cat. This is a thoroughly enoyable book, somehow both something an animal lover would find a lot to relate to and a book that’s sometimes hard to take with the deaths and all. Still, I’d just like to repeat: that list of talented artists and that price. Give it a shot, if you haven’t already! $8
Hey kids, or anybody who has started reading comics in the last few years? Are you interested in the history of mini comics, why they’re such a source of passion for so many people? Well, maybe not in numbers, but in level of interest and dedication in following certain artists? Your answer is this volume. If you have no interest in the history, away with you! This one can be for the old timers. This is a collection of the best of the “Not My Small Diary” anthology, and if you read small press comics in the 90’s and 00’s, you will recognize plenty of these names. In fact, good luck not getting lost in a Google hole or trying to figure out what so many of these people are up to these days. Notable names include (but are not limited to) Jeff Zenick, Dan Zettwoch, Patrick Dean, Raina Telgemeier, Jesse Reklaw, Carrie McNinch, Sam Spina, Roberta Gregory, Kurt Wolfgang… you know what, there are just too damned many names, and they’re all in the tags, so check that part out. If any of those names made you say “hey, I wonder what they’re up to these days” then this book is for you. These are mostly snippets of stories, but they’re all complete by themselves. Sometimes the stories follow a theme, like notable dates or moments in their lives, but really they’re all over the place. If it seems like I’m avoiding getting into specifics, that is entirely the case. If you were around for all these artists when they first started, you’re going to get lost in this instantly. If not, this is an excellent way for you to figure out what the big deal was about these people all along. I guess it’s possible that it’s the nostalgia talking and that people might not connect to these stories now, but screw that. These are tales of human weakness (and occasionally triumph), and those stories are universal and timeless. Most of the original issues of this series are out of print, so this is your best option all around. The book itself is $7.50 if you see Delaine at a convention, but if not $10 should be enough to cover the shipping, and I really can’t recommend this enough. It’s rare for any anthology not to have a weak story or two, but these are all golden.
Comic conventions! Maybe you’re one of the people who only go to conventions to buy comics and don’t create them yourself, but have you ever wondered about life on the other side of the table? Not really? Well, you really should try putting yourself in their shoes for a few minutes. This anthology has all kinds of stories from conventions, good and bad, from some of the champions of small press comics (if the industry had formal champions, which they should maybe think about doing). Stories in here include Max Clotfelter’s first time working a table when he was a kid, Cara Bean and Sara Carson’s long road to a triumphant show, Kelly Froh’s two worst shows (I hope), Carrie McNinch’s problem with shyness, Rob Kirby’s mostly bad day (but with plenty of good things in it, like the progressive redneck parents), Mark Campos’ ingenious trick to selling original art, Aron Nels Steinke dealing with a friend getting a tv deal while having a slow day himself (along with dealing with an annoying kid), Gabrielle Gamboa’s hilariously illustrated conversations among cartoonists, Justin Hall’s description of finally getting the sale after talking a guy into it for 20 minutes, Tony Breed dealing with putting a book together and the reality of the show, Matt Moses and Jeff Worby narrowly avoiding a beating/murder, Zine Crush trying to get a copy of their zine to the object of their crush without being obvious about it, Rick Worley learning the truth about Dash Shaw, Jason Martin showing the good and the bad and John Porcellino showing us the weather paradox at cons. Oh, and a bonus piece by Kelly Froh (I’m almost positive) showing us the moment at a con when her spirit leaves her body. I’ve seen plenty of comics about convention horror stories in my years of reviewing these things, so I was a little nervous about a whole anthology on the subject, but that was silly of me. This whole thing is full of goodness, and should probably be handed out to obvious first-timers as they walk into cons as a public service. $4